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General Tech Learning Aids/Tools 2 years ago
Posted on 16 Aug 2022, this text provides information on Learning Aids/Tools related to General Tech. Please note that while accuracy is prioritized, the data presented might not be entirely correct or up-to-date. This information is offered for general knowledge and informational purposes only, and should not be considered as a substitute for professional advice.
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I have been playing guitar for a while now and I've decided (after playing with a guy I know and seeing how expressive his solos are) that I need to improve my improvisation.
My improvisations are dull to say the least. It sounds as if I am just randomly going up and down the given scale which frankly is what I'm doing.
I am aware that when soloing, it is important to use a variety of different techniques but I'm not really sure of to many bar sweeps and legato runs.
Some help would be greatly appreciated.
Learning licks and solos by other musicians can be helpful in this respect. Obviously you'll want to develop your own voice, but no musician exists in a vacuum and it's definitely helpful to learn and analyze (if even unconsciously) the kinds of things musicians you admire have played. Depending on your style and the direction you want to go, it may be helpful to focus on other instruments as well (I've transcribed solos by saxophone and trumpet players to help my guitar playing, and I've tried to learn chord voicings from piano players whenever possible).
In fact, it's probably helpful to spend some time with totally different styles of music from your own, to learn the width and breadth of techniques available. Think of the way Bach would develop a phrase through counterpoint, and the interaction of similar phrases. Listen to Beethoven's Fifth Symphony and the way he develops a simple four note motif over the course of a half-hour piece of music. Think of the multitude of ways this concept of development of phrases or motifs has been approached, by Wagner, Copland, Coltrane, Clapton, and so on. Every one of them produced a lifetime's worth of music to explore and learn from.
Do try, too, to think about it in terms of developing a phrase. Ideas don't often come fully formed to an improvising musician. Instead, we'll take a phrase, either invented or from the content of the tune as the case may be, and expound upon it, using variation and invention to bring our own take and ideas to the framework we're working within. I neglected to mention this at first because it seems obvious, but be sure you know the tune. We guitarists are particularly prone to learning the changes but not the melody of the song. If you have the melody well in hand and in mind, it will help you to keep your improvisation "in context" as it were, and it'll be a rich resource for melodic ideas.
There are, of course, lots of technical things to think about in the mix, ideas which can span the whole spectrum of music really. A brief selection of my favorites might include:
Definitely do spend some time writing phrases out on paper, too. Improvisation is still composition, after all, and the same techniques apply. Approaching the process more deliberately will definitely help to broaden the range of intellectual tools you have to fall back on when you find your "natural" intuition for improvisation is stretched to its limits, and over time, you'll find those tools being integrated into that natural intuition.
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